Wednesday, October 14, 2009
Amuse Bouche: The almost-chill of Houston fall
Wednesday, September 30, 2009
In re Sparkle's Hamburger Spot
Before the Burger Court of Houston, Texas
Docket No. 3
In re SPARKLE’S HAMBURGER SPOT
Opinion for the court filed by LAHAD, J, in which JJ. GUTTING and BRINKMANN join.
LAHAD, J. Before the Court is the submission of Sparkle’s Hamburger Spot (“Sparkle”). We hold that Sparkle, despite its nearly unconscionable sides, serves a flavorful and well-made hamburger thus warranting an A- rating.
Background
Sparkle petitioned this Court in forma pauperis but declined to have counsel appointed. After the required Faretta colloquy, this Court granted Sparkle’s request to proceed pro se. Located on the corner of Dowling and Jefferson streets in Houston’s Third Ward, Sparkle consists of a small blue building that serves as the kitchen and front desk. Seating is limited to a pair of picnic tables that have seen better days. Based on discovery obtained, no one actually eats at Sparkle’s location. Rather, food ordered and taken to another location for consumption. The picnic tables provided at Sparkle, then, are primarily used to wait for one’s order.
The extensive menu at Sparkle includes single and double versions of hamburgers and cheeseburgers, the expected sides, as well as some interesting fare like “pork chop sandwich.” Indeed, several amici have pointed to such unique menu elements, real ice cream shakes and local flair as factors. Pork chops and ice cream aside, this Court limits its holdings and reasoning to genuine burger cases and controversies. Petitioners and amici would do well not to view dicta within our case law as advisory opinions about sides, shakes, or scenery. However, it is emphatically the province and duty of this Court to say what the burger law is.
The Court reviewed three Sparkle offerings: 1) a double hamburger; 2) a cheeseburger; and 3) a double cheeseburger. The aforementioned lack of seating and the steamy weather forced the Court’s conference to Justice Brinkmann’s chambers.
While waiting for the burgers, this Justice observed a gentlemen in the kitchen grab hunks of ground beef and roll them into baseball-sized globs of meat. The resulting burgers indicated that these meat baseballs were the patties’ progenitors. Simply, the patties at Sparkle are, to use the parlance of our times, large and in-charge. Transporting the meals back to chambers constituted a workout sufficient to offset a few of the burgers’ calories. The fear, however, is that such large mounds of ground beef will have charred skin yet raw centers. At Sparkle the adept grill-mistress knew exactly how to handle the patties. Despite easily crossing the half-pound threshold, the patties on each burger were well-cooked to medium.
Similarly, often the larger a food item, the less flavor it has. Grapes are a prime example. Fortunately, the patty at Sparkle does not fall into this category. The patty was not too salty or peppery. Rather, it had a welcome beefy flavor, perhaps enhanced by its sheer mass. It would have been a major disappointment had Sparkle’s beefy patty been bland or tasteless. Special mention should be given to the temperature of the patties. The patties were piping hot even after the additional time from receipt to conference.
Extras
Sparkle offers the basic side items as well as chili-cheese variants of each. The approach to sides at Sparkle is the exact opposite of its approach to burgers. The French fries were an odd consistency conservatively dusted with some kind of seasoning. The curly fries almost eluded review for lack of sufficient fries to review. The $2 order of chili cheese curly fries lacked the chili and cheese and maybe came in at 1 oz. Poor form on two counts.
As this Court has made clear, a party is reviewed on burger alone. Suffice it to say that this standard has benefitted several parties. In sum, this Court finds that Sparkle burger serves a large juicy hamburger, well seasoned and cooked, that warrants an A- rating.
Gutting, J., concurring. I join the Court's opinion but write separately to explicate on Sparkle's side dishes. Deplorable, though inexpensive, they are, it is virtually impossible to judge what, if any, merit they have. The sample size simply is too small. Eating an order of Sparkle's fries is like taking the slightest gasp of air. It is essentially without substance. Or sustenance. It is fortunate for Sparkle's Hamburger Spot they make such outstanding and generous burgers. This Court cannot and should not allow itself to be distracted by lesser subject matter in its pursuit of burger justice, as the final (and correct) judgment of Sparkle Burger has been rendered today. I applaud my learned brethren for this judicious evaluation of an excellent hamburger.
Wednesday, September 16, 2009
Review: Cyrus
Cyrus stands out in Sonoma County’s casual answer to the more showy grandeur of Napa Valley, because it is so formal. At the same time, it is just the sort of standard the area needed to be taken seriously at the highest levels — plus the magnificent wines of Sonoma deserve a restaurant that is a showcase.
In its earlier days, Cyrus suffered from occasional variability. But the past two years, it has been consistently excellent and quite worthy of its two stars. A recent visit confirmed Keane and his staff have settled in nicely, comfortable with the style and striding forward with marvelous creativity.
The meal began with a tower of canapés, each showcasing a different flavor: sour, sweet, salty, bitter, pungent, and that ill-defined but popular umami. It was an almost Alinea-like focus to begin the meal and quite interesting. The main event began with an amuse bouche of gorgeously fresh kona kampachi topped with a extra small fried shrimp that added texture.
Next, a Keane signature: Thai-marinated lobster with avocado, mango, and hearts of palm, topped with a Thai basil sauce that brings the entire refreshing dish together. It is so alive and delightful, complemented beautifully by a dry German Riesling from the Pfalz, Okonomierat Rebhold “vom Rotliegenden” 2005.
The lobster, perhaps the high of the meal, preceded a choice between torchon of foie gras or gnocchi with morels. The torchon, salt-cured and accompanied by tamarind and dates, got a terrific acidic bite from pickled onions and a reliable German wine, Selbach-Oster Riesling Spatlese Zeltinger Scholossberg from the excellent 2007 vintage. The gnocchi also shone, tasty pillows with bite, but the fresh morels stole the show.
Up next was a delightful scallop dish with a Spanish touch. Cooked skillfully and crusted on one side with chorizo, it was complemented beautifully by a mussel broth and fresh cockle. The downside was the wine pairing, a Manzanilla sherry from Hidalgo that did nothing for the food. What is with the trend toward pairing sherry at least once during a tasting menu? This could have been such an opportunity to complement the scallop and chorizo with the spice of Tempranillo or Garnacha. Or just stick with the classic scallop pairing, Albarino. Sherry overpowered the delicacy of the scallop and didn’t mesh with the chorizo.
Keane’s Asian influence came through in the fourth course. Crisp duck breast came atop a scallion rice cake with maitake mushroom and ponzu. The duck was delightful, but the rice cake was tough and chewy, like a Rice Krispie treat that has been left out on the counter overnight. The marvelous sauce and mushrooms cancelled it out, as did a terrific Camus-Bruchon Savigny-les-Beaune 2006.
Up next, a magnificent wagyu beef with burdock and shiso with a remarkable, richly flavored oxtail umeshu consommé. It is possible the wagyu was one of the most tender and delicious pieces of beef in human history, rivaling even the awe-inspiring product of Bryan Flannery. Almost as good, however, was the other fifth-course choice: lamb roulade with celery root, parsnip, and turnip. A slice of black truffle in the roulade cut the lamb flavor slightly, adding an earthy note that played well with the root vegetables.
The cheese plate is notable, although not as profound as Tru in Chicago, but it was complemented by a tremendous 2006 Vouvray from Champalou.. There is a variety of selection, including a sheep’s milk cheese that betrays no sweat-sock notes. To cleanse the richness of the meat dishes and cheese, Keane goes beyond the usual sorbet. Out comes a verjus sorbet, with a crisp, palate-sharpening blood orange and Riesling soup. It’s served with a piece of crystallized picholine olive brittle. This was supremely refreshing, clearing the way for dessert.
Dessert was a bit hit-or-miss. Each choice contained excellent elements, but each also included an unsuccessful flirtation with savory flavors. There was a remarkable, classic tiramisu with a spoonful of cappuccino foam and a surprisingly delicate espresso gelato. The dish suffered from out-of-place caramelized fennel sprinkled on it. Then there was a terrific five spice cake with a passion fruit macaroon, each of which stood out for its flavor and execution. But a Thai basil-coconut milk gelato was bizarre, sticking out as inappropriate on the plate. This was a fine example of the need for serious reflection before pastry chefs make forays into sweet-savory interplay. Such experimentation isn’t required. Sometimes a sweet dessert is enough, and the night’s efforts underscored that fewer elements would have been more. Fortunately, each dessert came with an interesting and tasty wine. The tiramisu showcased the viscous and surprisingly acidic Maury Roussillon Mas Amiel 1990, while the five-spice cake provided a nice foil to the tropical richness of another German 2007, the Weegmuller Scherebe Auslese Haardter Mandelring.
As a whole, however, the tasting menu at Cyrus is well worth the trip. It is thoughtfully constructed and well-executed. The service is smooth, with enough casual touches to remind you you’re in Sonoma. Additionally, it’s worth remembering what a young restaurant this is. Open for a little more than four years, it’s astonishing the level Keane and his staff operate at. This is a worthy dining experience and an attraction worth seeking out. Cyrus hasn’t even reached its adolescence, yet it already hits high notes worthy of some of the most prestigious restaurants in the country. With supreme focus and continued dedication, it’s plausible, if still a long shot, to see how Keane and company might give the French Laundry and its ilk a run for their money.
Monday, August 24, 2009
Review: The French Laundry
The French Laundry has a tough job these days. Its reputation is so established, legion of fans so large, and margin for error so non-existent that it’s an easy target. Food is a deeply personal thing. A restaurant can be even more so. Chefs, like writers, put forward an intimate, creative side of themselves for public judgment. If that’s the case, then Thomas Keller is the cooking equivalent to Phil Jackson coaching in the NBA finals. He just doesn’t lose. He takes what he’s given, adapts to it, gets the absolute most out of it, and leaves you astonished.
The French Laundry is a restaurant that doesn’t let you down. It is the place that encompasses the evolution and ascendancy of restaurants in the United States over the past forty years. It harnesses the power of Alice Waters’ emphasis on fresh, seasonal, and local ingredients, couples it with the very best in formal service with an influence of American casualness, and incorporates an elegant dedication to classicism for the food and décor. In short, the French Laundry is the restaurant that tries — and succeeds — at pleasing everyone. Or at least coming close.
Two recent trips to the French Laundry confirm this is the best restaurant in the country. Period. But to bestow such a sweeping superlative on the place undermines the true pleasure of the experience. Make no mistake, though, a meal here is a pure luxury. At $240 (service included) for a nine-course tasting or nine-course vegetarian menu, you’ll be lucky to make it our for less than $500 per person once wine comes into play. But it is the meal, if you have deep-seated passion for food, you owe to yourself at least once. Give up your Starbucks or Chick-Fil-A habit for a year. You won’t regret it.
The first impression of the restaurant is how unassuming it is. You won’t notice it if you just drive down Washington Street in Yountville. Inside, the restored building is magnificent. Refined rusticity might have been invented here. The tables reflect the restaurant’s name: crisp, white linens; the napkin secured to white plates, shimmering from the soft light given off by wall sconces, with an old fashioned laundry pin.
For an establishment that attracts such zealous lovers of food, the atmosphere is so relaxed and unhurried, you can’t help but feel at ease. It’s a remarkable feat, really, considering the ratio of servers to diners. With room for about sixty customers, the two-story dining room also accommodates seemingly forty staff. The remarkable thing is you can’t really tell how many servers there are because they are simultaneously ubiquitous and invisible. To create a pleasant, quiet environment while lavishing each table with attention is a remarkable feat. The only potential issue in the dining can be temperature: in the summer it can be stuffy, compounded by the jacket requirement for men.
The starter rarely changes: two amuse bouche, the cheese gougeres and salmon tartare with red onion crème fraiche in a sesame tuile. This is an important first step. The gougeres show remarkable execution of the pastry, while allowing the gruyere to shine through clearly but not overwhelmingly. The salmon “ice cream cone” is legendary for good reason. It’s refined, playful, and delicious. The red onion crème fraiche provides a refreshing burst, and the tuile is so delicate you wonder how it can support the weight of the teaspoon of salmon. These are classic amuse, executed marvelously and betray that you are in for a treat.
Next up is foie gras, if you choose, or a salad. The salad is always interesting and generally made from fruits or vegetables grown in the French Laundry’s garden, which sits across the street. The foie gras is well worth the $30 supplement. A terrine of pillow-like softness and elegance is enhanced by a celery branch and tart rhubarb that cuts the richness. Toasted brioche — a warm piece traded out for a fresh warm piece a few minutes later — leaves you smiling, another classic executed perfectly. The theatrical replacement of the brioche partway through the course is handled so matter-of-factly that it diffuses any possibility of pretentiousness.
The meat courses rotate frequently. Chicken, pork, duck, beef, veal, and lamb all make appearances, in various cuts and preparations. Duck is a particular treat. This March, a duck breast served with English peas, turnips, mache, and intense black truffles made for a dream pairing with red Burgundy. As with each course, the individual ingredients shine through beautifully and complement one another; there isn’t interference. These flavors work together and aren’t shouting over one another, competing for the spotlight.
There's also a secret at the end of the meal. Ask if they have any "coffee and doughnuts." They do. But you have to ask. If they're available still, you will get the most delightful cinnamon sugar doughnut and espresso semifreddo.
The French Laundry isn’t a meal that reads well. It’s something you must experience to realize the sheer perfection and enjoyment of it. Nothing is out of place. There are no missteps. Needs are anticipated; requests are met immediately. When a restaurant approaches every day with impossible expectations, it’s remarkable enough for it to meet them. At the French Laundry, Thomas Keller has assembled a brigade that routinely blows those expectations out of the water. There is no better restaurant in the country. Few even come close.
Wednesday, August 19, 2009
Amuse Bouche: Guilty pleasure
Tuesday, August 11, 2009
In re Lankford Grocery
Docket No. 2
IN RE LANKFORD GROCERY AND MARKET
HEARD JULY 14, 2009
DECIDED JULY 29, 2009
Before GUTTING, BRINKMANN, LAHAD. for the court filed by GUTTING, J, in which JJ. LAHAD and BRINKMANN join.
GUTTING, J. Before the court is the submission of Lankford Grocery and Market of Houston, Texas (“Lankford”). A long-time leader in the Texas burger culture and recently recognized by Texas Monthly magazine as the 39th best burger in the state, a recent circuit split has emerged regarding Lankford. To resolve this dispute in extremely important area of burger law, we granted certiorari.

We hold that Lankford provides an exceptional burger, worthy of special effort to seek out and enjoy, and merits an A rating. The opinion of the Texas Burger Guy is affirmed; Alison Cook's Burger Friday review is overturned and cited as erroneous precedent.
There's no lack of local color about the place, and the burgers reflect a simplicity that is so easily forgotten in this day of American kobe burgers and sliders. You can go single or double. Maybe some chili. Perhaps the Soldier burger with its fried egg on top. Nothing fancy. Everything delicious.
The Court reviewed three burgers: (1) a double with cheese; (2) a double without cheese; and (3) a Soldier burger.

The patties are hand-formed and roughly a half pound. The double was a candidate to give diners lockjaw due to its height, which was enhanced by a stack of lettuce, tomato, and chopped onion. On the cheeseburger, American slices oozed nicely, but the hamburger also seemed as juicy overall. The Soldier burger achieves a mayonnaise-like quality to its toppings with the over-easy egg. There were plenty of pickles on each patty, a welcome thing with such pure beef flavor. Mayonnaise was appropriate, and the mustard -- too often prone to taking over and dominating the flavor -- used judiciously. Too many burgers suffer from excessive mustard. This is a hamburger, not a musburger.

The burgers came out a barely medium-well, with plenty of retained juice and no signs of dryness-inducing griddle-pressing that lesser establishments insist upon to speed cooking. A solid crust formed on the outside of the patties. These were burgers that begged to be eaten. This was ground beef in excelsis, enhanced by light salt and pepper.
The bun isn't artisan or fancy. This is the style of bun that is meant to create a neutral canvas for a burger, and it can be used to excellent effect in a case such as this, where the meat needs no supporting cast. Bun integrity was strong on the double burgers. Perhaps they are a touch airy for some, but this was not a detriment in the opinion of the Court.

IT IS SO ORDERED.
LAHAD, J. concurring. I concur in the holding announced today but write separately to admonish Lankford Grocery's appalling cherry cobbler. While none of the parties in the case at bar moved to sanction Lankford, and my brethren on this Court persuaded me that it would be unnecessary judicial activism to act sua sponte, the cherry cobbler offered by Lankford would warrant hefty sanctions and possibly a contempt order. As an officer of this Court, Lankford has a duty to provide accompaniments that meet both gustatory and ethical standards. This alleged "dessert" fails to meet either; Lankford's cherry cobbler is, simply put, the pits.
Tuesday, August 4, 2009
Review: Textile
Textile opened in Houston last fall to much fanfare. Scott Tycer has garnered an ardent following here, and Textile is intended to be his crowning achievement. This was to be the restaurant at the top of the city's fine dining scene; a legitimate destination at the high end, something Houston sorely lacks. Is it? The answer is full of qualifiers: Maybe yes, but, if yes, then only in one respect. It will take some doing to explicate that answer, and perhaps the lack of a simple answer should indicate the true answer itself. But there is one area in which Textile succeeds in throwing Tycer's hat into the highest echelon of chefs: price.
Textile is spendy, and it's worth taking some time to discuss that. By virtue of price -- $85 (plus $55 for wine) for a five-course tasting and $115 (plus $75 for wine) for seven courses -- Textile is playing in the big leagues. Prices for non-paired wines, though mostly well-selected, are exorbitant. (The list at Gravitas always seems to have a couple $10 bottles for $45+, implying wine-as-profit-center is a Tycer tradition.) That means big league expectations and razor-thin margins of error. You can go to Tru in Chicago, for example, and have their eleven-course Chef's Collection for $135. The $125 to $175 price range is fairly standard for degustation menus at the top restaurants in San Francisco, Los Angeles, Chicago, and New York. So $115 in Houston, with our lower cost of living, is a bold move. It's a price that allows no room for disappointment or average or lapses in execution when it comes to food or service.
The space at Textile is lovely. There is a calm, cool feel about the room, and the kitchen and service areas are removed, keeping even the usual bustle from reaching the dining room. It's a pleasant atmosphere and is a key contributor to the experience at Textile feeling more enjoyable than just the sum of its parts. It’s relaxed, not stuffy or aloof.
At a restaurant like this, however, ambiance and service must be a given. It cannot get by on anything but the strength of its food. And this is where Textile falls down, excepting the dessert discussion below. Purely in terms of food, this isn't one of the top five places in Houston. It might not even be in the top ten, but that may be a result of sticker shock. The creativity is interesting at times in Tycer's food. The execution is maddeningly inconsistent, reminiscent of the same struggles Robert Gadsby has at Bedford.
The meal started with a solid dish of pickled white asparagus with dilled kefir. It was a crisp, tart, and refreshing opening, paired beautifully with the citrus-tinged and creamy Nicolas Feuillatte Blanc de Blancs NV. But here began the rollercoaster ride.
The second course was unforgivable: bay scallops and wheat pasta in a celery broth. The scallops were not fresh, with an intensely fishy flavor that screamed of being a couple days' old at least. This sin was amplified by the neutral celery. The pasta was al dente but had an odd, soft, almost slimy feel on the outside, as if it had been cooked short and left to sit and never properly reheated. Whatever happened with this dish was a mistake. Mistakes can happen. They can be corrected. But at a restaurant with Textile's aspirations? A plate like this never should have reached a customer. It indicates a failure of execution in the kitchen and quality control. There was, at least, a surprising and superb Meroi Pinot Grigio 2007 to sip until the waiters cleared the plate.
From that low, the meal reached its apex, an inspired smoked kielbasa with pork belly and goat’s eye bean. The sausage was excellent, meaty and flavorful, complemented by the succulent richness of the pork belly. It was easily the best dish of the night, and it had the best wine of the night, as well, Bergstrom “Dr. Bergstrom” Riesling 2006 from Oregon. It was a real surprise and made this inspired course a great domestic representation of food with such a German feel.
Then the inconsistency resurfaced for the next two dishes. First, quail stuffed with sage bread pudding with porcini and summer truffles. The stuffing was light and airy, but its quantity overwhelmed the subtle quail meat, and the sage neutralized any hint of truffle. The flavors didn’t coalesce. Not even the tasty Faiveley Bourgogne 2006 could bring out any hint of truffle in the dish. Second, a roast leg of duck with forbidden rice had a lovely, crisp skin, but it was overcooked and dry. The forbidden rice was mushy, with a texture like refried beans and with none of the nutty flavor it should have had.
A refreshing cherry and gianduja float preceded the dessert, honeydew and melon soup with goat cheese and brioche. It would have been a refreshing cap to a quite rich string of dishes, but the soup came out room temperature, not chilled. The flavors fell a bit flat.
The dessert, which must have sat too long waiting to come out of the kitchen, underscored the deep problems with service at Textile, an all-too-common problem in Houston. The waiters were awkward and seemed uncomfortable and hot. Each course delivered to the table -- a five-course and a seven-course -- was flip-flopped. Even after being brought to the attention of the maitre d', it continued through the meal's conclusion, reaching the point of being laughable. Wine service from sommelier Frank Moore, though, was superb. He is a knowledgeable, passionate wine steward whose pairings generally are smart and appropriate. His trips to explain each pour were a highlight of the evening.
So far, it is hard to reconcile all this with the "maybe yes" answer above. Isn’t Textile just overrated and overpriced? Well, yes. But it also has Plinio Sandalio, the pastry chef. What is clear about Textile is that it is the best restaurant in Houston -- for dessert. And it does have the best chef in town -- Sandalio.
The dessert tasting at Textile, offered Tuesdays and Wednesdays, is the thing to get to find value and inspired creativity. It is a glimpse at special and rare talent over eight courses.
To start one recent evening, out came two crisp matchstick French fries, with a dollop of potato chip-crusted mayonnaise that was deep fried. It showed that, in this frying-crazed era, there are still interesting things to be discovered.
The tasting itself was split into savory and sweet halves. The savory began with the much-ballyhooed “corndog”: a slightly sweet corn fritter, mustard ice cream, and ketchup with ground hot dog into it. Each element was tasty, but the flavors melded together in impressive harmony that worked in conveying the best of sweet-salty-savory interplay. Less successful was the okra ice cream and andouille caramel that followed. The ice cream was delicious, something like creamed okra, but the andouille caramel didn’t quite gel.
The savory segment closed on another high, a lemon tart with candied olives. The olives, the harshness of their flavor eviscerated, made an interesting pairing with a superlative lemon tart. This showed Sandalio at his greatest skill and gave a glimpse at a possible weakness. The tart shell was exquisite, light and crisp. The lemon filling was perfectly executed and avoided the pitfall of so many lemon desserts, which become too sweet and mask the lemon flavor. Not here. It was piquant and captured a juicy lemon’s refreshment. Sandalio’s fundamental skills are without doubt; he ensures that you can see all the classical techniques he has mastered, giving him more leeway to be creative. With this dish, however, the olives seemed superfluous and unnecessary. They were interesting, but you can’t help but wonder if one fewer element would have given the overall dish a greater stature. With his skill, however, you are likely to write it off as minor.
Between the savory and sweet halves came a watermelon and feta “intermezzo.” The compressed watermelon was crisp and ripe. A small feta cheesecake opened your mind to new dimensions of the line between savory and sweet.
The sweet segment showcased Sandalio’s creativity within more a more traditional realm. The coconut cake was delicious and perfectly executed, although the accompanying avocado ice cream, while nice texturally appealing, brought out an odd side to avocado’s earthy flavor. The peach sorbet was the essence of a favorite Texas summer ingredient, and the white chocolate mousse maintained elegance. This dish actually seemed somewhat out of place it was so traditional, though perfectly executed.
The last course was a substantial bittersweet chocolate torchon, filled with cherry and complemented by “pop rocks.” As a cherry cordial, it didn’t quite work, and it was rather heavy, but the chocolate was beautiful. There’s no denying the skill that went into the dish.
The final touch, a series of mignardises, left a lingering impression of Sandalio’s impeccable skill in the kitchen: a perfect hazelnut tart, sumptuously rich brownie, and shortbread that will make you spontaneously renounce all others. And that, in essence, is the contrast between Textile at dinner and at dessert. The main courses suffer from lapses in execution and occasionally questionable choices, such as the superfluous black truffles on the quail. At dessert, it’s a bit like watching Jimmy Page play the guitar. All the fundamentals are there, and you’re constantly aware of that basic skill, but you’re always teetering on the edge of disaster in a flurry of creativity and experimentation. It makes the food fun, but it only works because Sandalio hits more than he misses.
As a result, the lingering impression of Textile is mixed. You want to like the place more than you intuitively should. The atmosphere is pleasant. The wine pairings are thoughtful and appropriate. For every miss of a course, you’re reassured by the atmosphere. And you get the wonderful memory of the desserts. So the bottom line requires sober reflection. At easily more than $200 a person for the seven-course tasting with wine, $140 for the five-course with wine, and limited a la carte selections, liking the place doesn’t make up for relatively uneven food. Overall, it’s a welcome addition to the Houston dining scene because it’s serious. But the prices need to reflect the reality of the food (and, perhaps, the economy) or sloppy execution and service must be stamped out permanently. In the meantime, take less risk and go on a weeknight for the a la carte selection or go ahead and have dessert for dinner.



